Weird Things that Bug New Yorkers

New Yorkers get a bad rap for being unfriendly people. But it’s not that. It’s that because we have a higher population, the odds for more assholes-per-square-inch increase, because, math. And then the rest of us New Yorkers have to deal with the more-assholes-per-square-inch ourselves, so we become accustomed to encountering and dealing with them, and then we believe they’re everywhere here too, which creates a spiraling domino effect that results in the “New York State of Mind.” And if the following things bug you, then congratulations; you’ve officially evolved to an authentic New York State of Mind. 🙂

1. When someone sits directly next to you on a virtually empty train or bus.

New Yorkers are used to people always being around at any given moment, but when it’s not rush hour or a busy period, we grab that moment of solitude and hold on tight.

SidebySide

There is a rule: You do NOT sit next to someone if there’s an available seat NOT sitting next to someone. You do NOT enter the train and sit at the closest available seat next to someone, just because it’s close! You scan the aisle, take a leisurely stroll through the moving car, core engaged (because this will help your subway surfing skills) and pick a nice empty space keeping up the yin/yang of passenger-empty seat-passenger-empty seat. You ONLY break this balance if there is no other option. And if you DO break the balance, and there ARE other options, then yes, those strange waves of vengeful resentment you might be feeling are absolutely directed at you.

2. When someone walks parallel on the sidewalk at the same speed as you.

You’re not friends. You’re not acquainted. And yet, you may as well be holding hands with them. And then you try to speed up, and then they kind of speed up too, and then the awkward level rises…and then the anger level rises cause it’s awkward. And then you need to cross the street because the angry awkwardness is overwhelming you.

AwkwardWalkingPenguin

And then you need to hope they aren’t also crossing the street too. Which leads to…

3. Coincidentally walking the same route as another person.

I’m sure in small towns, you both would giggle and make a joke about how one’s stalking the other, or even strike up some small talk about where you both are going. But in New York, if you’re playing the “Pass That Person” game on the street, but then you both end up waiting at the curb side-by-side for the Walk signal to turn, cross the same street, both turn right, stop at the same bodega for only one thing so you both pay quickly and leave at the same time, and then turn LEFT together (this happened on my walk to the gym this morning, I kid you not) and cruise up the next block trying to act like you don’t realize the other person is still there, or suspecting that they were paid to keep tabs on you…

I don’t like it.

4. Speeding up to cut me off and then immediately walking slowly.

This is most agonizing on stairs. Like if you’re exiting the train and you want to ninja-rush up in double-time, but someone darts in front of you, then proceeds to lumber their way up at an excruciating pace. WHY DID YOU CUT ME OFF THEN? Why was it so important to cut me off so that you could walk slowly?

Your hurried MOVEMENTS do not mean you are progressing quickly.

And then when you try to scurry around them, a barrage of people come trailing down on the other side. Then you and the rest of the line are stuck matching the pace of the lumberer for the whole walk up. And I telepathically communicate to the people behind me, “I would have done better for you.”

5. Sidewalk-spreading.

I chalk this up to some sort of Narcissus complex. You, strolling down the street like you don’t have to get to work, or like it’s not raining really hard, with your arms outstretched (mentally). And maybe your right-hand man is right beside you, but only kind-of sort-of, because you both have to stretch out to make sure you’re taking up the entirety of the sidewalk, and yell your comments to one another across the space in “conversation” as you both saunter your way, making it highly difficult for anyone to zip around you from either side. It’s a declaration. A declaration that you are not aware of anything going on around you.

6. Those who stand on the left side of the escalator.

My very own boyfriend, who is not from New York, told me that outside of the city, the notion that there is a standing side on the escalator AND a walking side is unheard of.

I mean, I get it. Technically, I guess the entire concept of an escalator is so you DON’T have to walk up it at all. You stand and check your phone and have a chat, feet firmly planted as it delivers you to your final destination. But goddammit, this is a city of movers. And if i’m on an escalator, it’s because I have somewhere to be. And in New York, escalators are advanced stairs. And if someone forgets the rule of the standing side and the walking side…well, you could say “Excuse me,” I suppose, and hope they hear you (I have a low voice). BUT HOW DO THEY NOT KNOW THE CODE?? The I-don’t-feel-like-walking people are lining up on the right for a reason. If you’re not, then you’re an obstruction. And I might have to break out the nonchalant bravado and bypass the escalator for the stairs because you’re choosing to be an obstruction.

Ever tried to beat the escalator riders by showing them you can use your legs on the stairs and making it to the top before them?

Ever done it at the Exchange Place Light Rail station in Jersey City?

ExchangeStairs.jpg

My bravado really took a toll on my lungs that time.

Not everyone has a New York State of Mind. The OGs are now outnumbered.

~Tael (OG New Yorker)

BoroughCon 2017

Yo!

While I initially tried to keep my posts limited to the scope of the Indie Author Journey, what I’m finding is that the Indie Author Journey gets boring! You write, edit and format until your brain gets very angry, exhaust all the cheap marketing strategies you can find on the internet for little ROI, read many…many…best strategies/helpful tips articles, and make a whole lot of missteps, all while hoping for the lottery chance that your indie title will land in the right hands that send it viral. Eventually, the amount of unique writable content you can recount dwindles unless you’re constantly working on new novels/projects. As I’ve mentioned before, I’m not a writer first, it’s just one of my indulgences, so why not have my site reflect the eccentric ninja that I am?

So let’s talk about BoroughCon, which described itself as a brand new Comic/Sci-Fi/Gaming convention that I would classify as indie because of its newcomer status. Today was the final day, and I attended Saturday with my boyfriend and sister (this was her first con as well) in tow, after randomly seeing an ad for it at a bus stop. Oh, and of course, My First Cosplay.

MeilinPose

The first orderable costume online I ever encountered was Meilin’s from Cardcaptor Sakura (and let’s be honest, that whole series is chock full of banging costumes I’d love to get my hands on if done with quality), and this was while I was in high school, maybe even junior high. I favorited that page and vowed to save up enough for it, then went to college and forgot. Over 10 years later, I remembered that costume and Meilin’s was the first to enter my collection. Those hanging bells are real, by the way, and I had to focus on not whacking anyone with them on the subway.

First-year cons have a reputation for being not-that-great, but I wholeheartedly dived into this one because I…<3…indies! This was my third con experience (I don’t count Sakura Matsuri). My first was last year’s Castle Point Anime Convention in Hoboken which my boyfriend, a veteran of cons, introduced me to. I was immediately jealous of those in character, because it had always been my ridiculously nerdy dream to have the money (because I surely don’t have the skill) to procure an anime/video game outfit and then actually have a place to wear it to. I also attended Liberty City’s con in Times Square last year, which was another first time con. I had no problem with BoroughCon’s first-time status and I absolutely wanted to support them, especially since they were in Queens, fairly accessible by the subway. I found St. John’s to be an excellent space for it; I think colleges provide great venues for this sort of thing.

Now yes, there was a light turnout (the hotel that hosted Liberty City’s con last year was crammed), but that meant more space in the gaming room, because Liberty City’s game room was tiny and packed, and I didn’t even try to jump into the throng to wrestle a controller away for a spot. BoroughCon’s gaming room was spacious enough, and I was able to Smash it up for a good chunk of time there with fellow enthusiasts, and collect wins with silent grace like a ninja. I can’t speak for the con programming because the only one I attended was the Cosplay Fashion Show, which has become my no-miss-attendance event at these things. I felt they could have explained the divisions a little more, because I had no idea what the categories like “journeyman” etc…actually meant. A staff member tried to get me to join, but A. I’m still way too shy for that and B. although this was my first cosplay I can already say I don’t make my own costumes. I wear it for the spirit and my own personal dedication, but not as a finalization of my own craftsmanship.

All in all, I simply had a good time mingling with like-minded individuals. With the exception of the somewhat bumbling front deskers, all staff were incredibly friendly, randomly stopping us to let us know what programs were about to start, asking if we were lost, or complimenting my costume. It had a very chill vibe that I respected, and the Dealer’s Hall/Artists Alley was also cavernous enough (with much free candy!), though I was the only one in my party who declined to part with my gald. Thankfully, I’d scoured the Internet for tips for first-time cosplayers beforehand and learned that a mini-sewing kit is an essential item to carry, since one of my shoe straps broke while traversing the Dealer’s Hall, which could have ruined the whole day for me had I not been prepared. I was also prepared for the many deeply curious looks as I shuttled from Harlem through the subway to Queens in costume. I can’t wait for more and would definitely return to BoroughCon as they grow and become more popular!

Dat Writer Professionalism

Self-publishing should conjure up a desert wasteland backdrop with a hooded figure in black creeping along the outskirts of society. You’re avoiding big corporate publishers and taking your book rights into your own hands! You’re a rebel. You’re a revolutionary! You’re sticking it to the traditional industry route and to hell with all the rules!

Except, no.

The self-publishing world is not as vagabond as it once was, since the road to stand out amidst the millions of other indies who believe in their work is pretty similar to the corporate publishing route.

But I wanted to be an OUTLAW like one of these guys!!

Outlaws

Unfortunately, self-publishing may not give you the badass points you were hoping for. Remember, there’s a widely accepted code of conduct and professionalism for the most success, to help you stand up against those big-name publishers. My approach so far has been to be chill about it, like Spike Spiegel, because who didn’t like Spike Spiegel?? He remained composed, kicked so much ass because of it, and always came out on top. Until…you know.

Months ago, I tried to reach out to a website about possibly listing Chaos (un)Controlled during it’s free period on Amazon. It wasn’t one of the traditional promotion sites; I was trying to think outside the box and it was an NYC website I’d been following for years now. Since the main premise of Chaos (un)Controlled is Rixa climbing a ladder in the New York Public Library while working there as a Page to reach University Heights, it seemed fitting. Here was their response:

NYCOnTheCheapResponse

Welp, I’d gotten many query rejection letters before; I could handle this. I could see they were trying to scold me for my Vash-The-Stampede-like approach. Was my salutation “Hey guys”? Yes. Did I ask for a shout-out from “you guys”? Yes. Did I understand their offense? Nope, not at all. I guess I wasn’t “professional” enough. However, as a long-time visitor of their site and Twitter follower, I hadn’t found their site to be particularly professional at all. The layout wasn’t quality, site updates were only occasional, and they only had about 2,000 Twitter followers, so I hadn’t pegged their business as an uber-polished establishment that necessitated a suit and tie to email them. After that response I realized if that was what they were trying to be, then forget it, I didn’t need them. My whole premise for sticking with them had been their small-business-friendly feel. I love supporting small, non-corporate entities and other indie startups trying to make it in the world. So I stopped following them and no longer visit their site. Remember, I prefer Chucks. And I’m petty.

If someone enjoyed my work, and wants to come up and compliment me like “Yo, dude, bro, guy, your writing is sick, I really dug it,” I would appreciate that to the fullest. My go-to author profile picture is me sipping from a Pokeball mug. My descriptions don’t follow the standard “So-and-so Author was born in New England where she resides with her 3 kids, loving husband and dog. She has written numerous critically acclaimed pieces that have won countless awards from the Society of Great Writers That We Respect for their Professionalism yadda yadda.” Truthtrebles.com is my “author website,” I guess. I don’t try to professionalize my profile, because I’m a person first, indie author second. I’d rather read someone’s words rather than a list of their 30 awards or New York Times Bestseller rankings. I’d rather gain notoriety for realness, and go off guns-blazing like Gene Starwind. Professionalism doesn’t inspire human connection as much as realness.  It will hinder me, but that’s fine. Because outlaws are so much cooler. Especially when they wear peacoats with Chucks. And that’s kind of what self-publishing is all about.

See You Space Cowboy…

~Tael

In Close Quarters

A couple of years ago, I wrote a subway poem in a tweet that I never forgot:

All this space…

Why are you so close to me?

Why are you so close to me?

Whyareyousoclosetome?

Whyareourarmstouching?

I visualized it making it to one of the Poetry In Motion billboards on the train, so that riders who were unknowingly committing this crime would see it, magically be enlightened, and correct the offending behavior. Ahh, those New York dreams…

~Tael